{"product_id":"making-sense-of-recordings-how-cognitive-processing-of-recorded-sound-works-paperback","title":"Making Sense of Recordings: How Cognitive Processing of Recorded Sound Works - Paperback","description":"\u003cp\u003eby \u003cb\u003eMads Walther-Hansen\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eBuilding on ideas from cognitive metaphor theory, \u003cem\u003eMaking Sense of Recordings\u003c\/em\u003e offers a new perspective on record production, music perception, and the aesthetics of recorded sound. It shows how the language about sound is intimately connected to sense-making - both as a reflection of our internal cognitive capacities and as a component of our extended cognitive system. In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe book will be of interest to anyone who asks how recorded music sounds and why it sounds as it does, and it will be a valuable resource for musicology students and researchers interested in the analysis of sound and the history of listening and record production. Additionally, sound engineers and laptop musicians will benefit from the book's exploration of the connection between embodied experiences and our cognitively processed experiences of recorded sound. The tools provided will be useful to these and other musicians who wish to intuitively interact with recorded or synthesized sound in a manner that more closely resembles the way they think and that makes sense of what they do.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eMads Walther-Hansen is Associate Professor at Aalborg University, Denmark. He writes on music listening, music production, sound technology, and sound analysis, and he has published several articles, chapters, and conference papers on cognition and language in relation to music production that examine the conceptualization of sound and the effect of recording technology on the listening experience. He is editor of the Music Journal \u003cem\u003eDanish Musicology Online \u003c\/em\u003eand co-editor of \u003cem\u003eThe Oxford Handbook of Sound and Imagination\u003c\/em\u003e (Oxford University Press 2019).\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 160\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.5 x 9.1 x 6.1 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 02, 2020\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":42154044227719,"sku":"9780197533918","price":82.06,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/2623\/2711\/files\/bd93ca7473c4a5bcf6e251a948619fe5.webp?v=1733226305","url":"https:\/\/booksby.splitshops.com\/products\/making-sense-of-recordings-how-cognitive-processing-of-recorded-sound-works-paperback","provider":"Books by splitShops","version":"1.0","type":"link"}