{"product_id":"minimal-art-a-critical-anthology-paperback","title":"Minimal Art: A Critical Anthology - Paperback","description":"\u003cp\u003eby \u003cb\u003eGregory Battcock\u003c\/b\u003e (Editor), \u003cb\u003eAnne M. Wagner\u003c\/b\u003e (Introduction by)\u003c\/p\u003e\u003cp\u003eHere with a new introduction and updated bibliography, is the definitive collection of writings by and about the work of the 1960s minimalists, generously illustrated with photographs of paintings, sculpture, and performance.\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003eSo perspicuous was Battcock's choice of articles in \u003ci\u003eMinimal Art\u003c\/i\u003e that his book has proved to be an exceptionally telling index of the critical discourse of its time. This is the key primary source book--for that matter it remains the key book--on the subject of Minimal Art, a movement that has lately, newly become a topic of consuming interest to many modern art historians, critics, curators and artists.--Anna C. Chave, author of \u003ci\u003eMark Rothko: Subjects in Abstraction\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eGood criticism of contemporary art movements is both rare and scattered, and readers with access to a wide range of periodicals and catalogue introductions are few. . . Minimal Art is so obviously the most important movement of the 1960s, and equally certainly will continue to be so in the early 1970s, that this anthology will be a valuable compilation of statements by artists and assessments by critics.--David Irwin, \u003ci\u003eApollo\u003c\/i\u003e\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eSo perspicuous was Battcock's choice of articles in \u003ci\u003eMinimal Art\u003c\/i\u003e that his book has proved to be an exceptionally telling index of the critical discourse of its time. This is the key primary source book--for that matter it remains the key book--on the subject of Minimal Art, a movement that has lately, newly become a topic of consuming interest to many modern art historians, critics, curators and artists.--Anna C. Chave, author of \u003ci\u003eMark Rothko: Subjects in Abstraction\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Good criticism of contemporary art movements is both rare and scattered, and readers with access to a wide range of periodicals and catalogue introductions are few. . . Minimal Art is so obviously the most important movement of the 1960s, and equally certainly will continue to be so in the early 1970s, that this anthology will be a valuable compilation of statements by artists and assessments by critics.\"--David Irwin, \u003ci\u003eApollo\u003c\/i\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eGregory Battcock\u003c\/b\u003e was a painter, lecturer in art history and criticism, and editor of \u003ci\u003eThe New Art: A Critical Anthology\u003c\/i\u003e and \u003ci\u003eThe New American Cinema.\u003c\/i\u003e He was a frequent contributor to \u003ci\u003eArts Magazine, Art and Literature, College Art Journal, \u003c\/i\u003e and \u003ci\u003eFilm Culture\u003c\/i\u003e. \u003cb\u003eAnne M. Wagner\u003c\/b\u003e is Professor of the History of Art, University of California, Berkeley.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 454\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.23 x 8.01 x 5.65 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 03, 1995\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":42133471559815,"sku":"9780520201477","price":70.11,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/2623\/2711\/files\/83591e42b31a6dbb5fe6408499b6ca39.webp?v=1732634595","url":"https:\/\/booksby.splitshops.com\/products\/minimal-art-a-critical-anthology-paperback","provider":"Books by splitShops","version":"1.0","type":"link"}