{"product_id":"push-software-design-and-the-cultural-politics-of-music-production-paperback","title":"Push: Software Design and the Cultural Politics of Music Production - Paperback","description":"\u003cp\u003eby \u003cb\u003eMike D'Errico\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cem\u003ePush: Software Design and the Cultural Politics of Music Production\u003c\/em\u003e shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like \u003cem\u003eFL Studio\u003c\/em\u003e and Ableton\u003cem\u003e Live\u003c\/em\u003e introduced design affordances that encouraged rapid music creation workflows through flashy, \"user-friendly\" interfaces. Meanwhile, software such as Avid's \u003cem\u003ePro Tools\u003c\/em\u003e attempted to protect its status as the \"industry standard,\" \"professional\" DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's \u003cem\u003eMax\u003c\/em\u003e, asserted its alterity to \"commercial\" DAWs by presenting users with nothing but a blank screen. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThese are more than just aesthetic design choices. \u003cem\u003ePush\u003c\/em\u003e examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of \u003cem\u003eFL Studio\u003c\/em\u003e, skeuomorphic design in \u003cem\u003ePro Tools\u003c\/em\u003e, and gender inequity in the music products industry. It connects the computational thinking required by \u003cem\u003eMax\u003c\/em\u003e, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's \"design thinking.\" Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, \u003cem\u003ePush\u003c\/em\u003e provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our\u003cbr\u003edigital lives.\u003cbr\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMike D'Errico\u003c\/strong\u003e is Director of Music Technology \u0026amp; Composition, Assistant Professor of Music \u0026amp; Computer Science, and Music Department Chair at Albright College, where he teaches courses in Music Production, Sound Design, Game Design, Songwriting, and User Experience Design. His research has appeared in\u003cbr\u003e\u003cem\u003eMusic, Sound, and the Moving Image\u003c\/em\u003e, \u003cem\u003eJournal on the Art of Record Production\u003c\/em\u003e, and edited collections such as \u003cem\u003eThe Oxford Handbook of Electronic Dance Music\u003c\/em\u003e; \u003cem\u003eElectronic Cities: Music, Policies and Space in the 21st Century\u003c\/em\u003e; \u003cem\u003eCritical Issues to the Production of Music and Sound; \u003c\/em\u003eand \u003cem\u003eThe Cambridge\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCompanion to Hip-Hop\u003c\/em\u003e. As an electronic music producer and sound designer, he makes hip-hop beats, electronic dance music tracks, and sound for video games and virtual reality applications. He is an Avid Certified Instructor in Pro Tools for Music and Game Audio, as well as an Apple Certified Pro in\u003cbr\u003eLogic Pro X. He earned his PhD in Musicology from UCLA, his Masters in Music from Tufts University, and his Bachelors of Music Education from the University New Hampshire.\u003cbr\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 336\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 8.9 x 5.9 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 11, 2022\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":42159721971847,"sku":"9780190943318","price":71.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/2623\/2711\/files\/0eae18e69cf7c04cb9361acf2fed5c69.webp?v=1733268755","url":"https:\/\/booksby.splitshops.com\/products\/push-software-design-and-the-cultural-politics-of-music-production-paperback","provider":"Books by splitShops","version":"1.0","type":"link"}