{"product_id":"the-divas-gift-to-the-shakespearean-stage-agency-theatricality-and-the-innamorata-hardcover","title":"The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata - Hardcover","description":"\u003cp\u003eby \u003cb\u003ePamela Allen Brown\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Diva's Gift\u003c\/em\u003e traces the far-reaching impact of the first female stars on the playwrights and players of the all-male stage. When Shakespeare entered the scene, women had been acting in Italian troupes for two decades, traveling in Italy and beyond and performing in all genres, including tragedy. The ambitious actress reinvented the \u003cem\u003einnamorata\u003c\/em\u003e, making her more charismatic and autonomous, thrilling audiences with her skills. Despite fervent attacks, some actresses became the first international stars, winning royal and noble patrons and literary admirers in France and Spain. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eAfter Elizabeth and her court caught wind of their success in Paris, Italian troupes with actresses crossed the Channel to perform. The Italians' repeat visits and growing fame posed a radical challenge to English professionals just as they were building their first paying theaters. Some writers treated the actress as a whorish threat to their stage, which had long minimized female roles. Others saw a vital new model full of promise. Lyly, Marlowe, and Kyd endowed \u003cem\u003einnamorata\u003c\/em\u003e parts with hot-blooded, racialized passions, but made them self-aware agents, not counters traded between men. Shakespeare, Jonson, Webster and others followed, ringing changes on the new type in comedy, tragedy, and romance. Like the comici they recycled actress-linked theatergrams and star scenes, such as cross-dressing, the mad scene, and the sung lament. In this way, the diva's prodigious virtuosity and stardom altered the horizons of playmaking even on the womanless stage. Capitalizing on the talents of boy\u003cbr\u003eplayers, the best playwrights created bold new roles endowed with her alien glamour, such as Lyly's Sapho and Pandora, Marlowe's Dido, Kyd's Bel-Imperia, Webster's Vittoria, and Shakespeare's Beatrice, Viola, Portia, Juliet, and Ophelia. \u003cp\u003e\u003c\/p\u003eCleopatra is not alone in her superb theatricality and dazzling strangeness. As this book demonstrates, the diva's gifts mark them all.\u003cbr\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003ePamela Allen Brown, \u003cem\u003eProfessor of English, University of Connecticut\u003c\/em\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003ePamela Allen Brown, Professor of English at the University of Connecticut, has published widely on female playing and jesting in early modern England. In this work, she uses a transnational lens to show how the English stage benefited from the innovations of actresses in the commedia dell'arte, the first professional companies to tour foreign cities, including London. Professor Brown's books include \u003cem\u003eBetter a Shrew than a Sheep: Women, Drama and the Culture of Jest in Early Modern England, As You Like It: Texts and Contexts\u003c\/em\u003e (with Jean E. Howard), and \u003cem\u003eWomen Players in Early Modern England: Beyond the All-Male Stage\u003c\/em\u003e (with Peter Parolin). A founding member of Theater Without Borders, she has also translated stage dialogues by the diva Isabella Andreini in \u003cem\u003eThe Lovers' Debates for the Stage: A Bilingual Edition\u003c\/em\u003e (with Eric Nicholson and Julie Campbell).\u003cbr\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 320\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 9.1 x 6.2 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e February 25, 2022\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":42159195422855,"sku":"9780198867838","price":179.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/2623\/2711\/files\/413cefcc92d0dbd482221aad78086b87.webp?v=1733264808","url":"https:\/\/booksby.splitshops.com\/products\/the-divas-gift-to-the-shakespearean-stage-agency-theatricality-and-the-innamorata-hardcover","provider":"Books by splitShops","version":"1.0","type":"link"}