by Shane McCrae (Author)
In Shane McCrae's NONFICTION, the self is repeatedly re-figured as the site of rupture between truth and fiction, present and past, first-person and third-person-the rupture in which the dichotomies we live by, the dichotomies that erase us, originate. The speakers of these poems inhabit impossible situations, and the poems themselves speak neither of overcoming, nor of being overcome by, these impossibilities, but of the moment of equilibrium between extremes, the moment of uncertainty from which the future emerges. As McCrae writes at the end of his two-part poem on Solomon Northup, "in the darkness / I after a while couldn't be sure / My eyes were open." These poems assert, and foreground, possibility; the rupture they describe is hope.
Author Biography
Shane McCrae is the author of several poetry collections, including Mule (2011); Blood (2013); The Animal Too Big to Kill (2015); In the Language of My Captor (Wesleyan University Press, 2017), which was a finalist for the National Book Award; and The Gilded Auction Block (2019). His work has also been featured in The Best American Poetry 2010, edited by Amy Gerstler, and his honors include a Whiting Writers' Award and a fellowship from the National Endowment for the Arts.
Number of Pages: 40
Dimensions: 0.2 x 8.3 x 5.3 IN
Publication Date: April 10, 2014
