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by Wole Soyinka (Author)This is one of the best-known plays by Africa's major dramatist, Wole Soyinka. It is set in the Yoruba village of Ilunjinle. The main characters are Sidi (the Jewel), 'a true village belle' and Baroka (the Lion), the crafty and powerful Bale of the village, Lakunle, the young teacher, influenced by western ways, and Sadiku, the eldest of Baroka's wives. How the Lion hunts the Jewel is the theme of this ribald comedy.Back JacketThis is one of the best-known plays by Afr...
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by John S. Garrison (Author)The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunit...
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by Helma Dik (Author)Helma Dik approaches word order in Greek tragic dialogue from the perspective of language rather than metre. The tragic poets engaged in mimesis of natural dialogue; therefore the analysis of the linguistic characteristics of the dialogue precedes exploration of the metrical dimension, on the assumption that poets would not be overly constrained by the iambic trimeter, which, after all, was the most natural speaking verse according to Aristotle. Dik analyses the word orde...
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by Euripides (Author), Robin Waterfield (Translator), Edith Hall (Introduction by)Euripides wrote about timeless themes, of friendship and enmity, hope and despair, duty and betrayal. The first three plays in this volume are imbued with an atmosphere of violence, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humor that characterized the genre. Alcestis shows various reactions to death with pathos and grim humor while the blo...
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by William Shakespeare (Author), Michael Neill (Editor)Now available in beautiful World's Classics editions--with handsome, four-color covers and new low prices--The Oxford Shakespeare offers new and authoritative edions of Shakespeare's plays. In each volume, an introductory essay provides all relevant background information together with an appraisal of critical views and the play's performance history. In addition, the detailed commentaries pay particular attention to the language and stag...
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by William Shakespeare (Author), Jay L. Halio (Editor)This edition of The Merchant of Venice, based on a fresh examination of the early editions, includes an exceptionally lucid and accessible introduction which addresses Shakespeare's attitude toward Semitism and establishes the cultural, historical, and literary context in which Shakespeare wrote the play. An interesting range of production photographs and drawings of Renaissance merchants and Jews, and a survey of the play's stage history ...
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by Oscar Wilde (Author), Peter Raby (Editor)Oscar Wilde was already one of the best-known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheaded the dramatic renaissance of the 1890s and retain their power today. This collection offers newly edited texts of Lady Windermere's Fan, A Woman of No Importance, Salome, An Ideal Husband, and, arguably the greatest farcical...
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by William Shakespeare (Author), Arthur Humphreys (Editor)The most famous of Shakespeare's Roman tragedies, Julius Caesar was written and first performed in 1599, and was apparently one the plays his contemporaries enjoyed most. Recounting the death of Caesar on the steps of the Senate house, the play offers some of Shakespeare's finest scenes: Antony's skillful speech at Caesar's funeral, and the quarrel and reconciliation between Brutus and Cassius with the news of Portia's death. This edit...
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by Euripides (Author), James Morwood (Editor), James Morwood (Translator)Euripides was one of the most popular and controversial of all Greek tragedians, and his plays are marked by an independence of thought, ingenious dramatic devices, and a subtle variety of register and mood. He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. This new translation does full justice to Euripides's range of tone and gift of narrative. A lucid introducti...
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by Aphra Behn (Author), Jane Spencer (Editor)Aphra Behn (1640-89) was both successful and controversial in her own lifetime; her achievements are now recognized less equivocally and her plays, often revived, demonstrate wit, compassion and remarkable range. This edition brings together her most important comedies in a single volume: The Rover, her best-known play; The Feigned Courtesans, a lively comedy of intrigue; The Lucky Chance, a comedy with a bitter edge, which takes a satirical look a...
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by Plautus (Author), Erich Segal (Editor), Erich Segal (Translator)Plautus was the single greatest influence on Western comedy. In fact, Shakespeare's Comedy of Errors and Moliere's the Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humor, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and Professor Segal's tra...
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by William Shakespeare (Author), Anthony B. Dawson (Author), Paul Yachnin (Author)Written in 1595, Richard II occupies a significant place in the Shakespeare canon, marking the transition from the earlier history plays dominated by civil war and stark power to a more nuanced representation of the political conflicts of England's past where character and politics are inextricably intertwined. It is the first of four connected plays--including 1 Henry IV, 2 Henry IV, and Henry V--generally cons...
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by Juvenal (Author), Niall Rudd (Translator), William Barr (Introduction by)Commonly considered the greatest of Roman satirical poets, Juvenal is the author of sixteen satires of Roman society, notable for their pessimism and ironic humor. In this new translation of the Satires, Professor Rudd combines textual accuracy with colorful poetry, vividly conveying Juvenal's gift for evoking a wealth of imagery with a few economical phrases. About the Series: For over 100 years Oxford World's Classi...
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by David Seale (Author)In this study, David Seale argues that Sophocles's use of stagecraft, which has thus far received little attention, was as sophisticated as that of Aeschylus or Euripides. His discussions of the physical and visual elements of Sophocles's seven plays center around the theme of sight; he demonstrates that each play is staged to maximize the implications and effects of "seeing" and not "seeing," of knowledge and ignorance. This emphasis on visual perception, Seale maintai...
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by Aeschylus (Author), David Grene (Editor), Richmond Lattimore (Editor)Aeschylus II contains "The Oresteia," translated by Richmond Lattimore, and fragments of "Proteus," translated by Mark Griffith. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore,...
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by Sophocles (Author), Mark Griffith (Editor), Glenn W. Most (Editor)Sophocles I contains the plays "Antigone," translated by Elizabeth Wyckoff; "Oedipus the King," translated by David Grene; and "Oedipus at Colonus," translated by Robert Fitzgerald. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of emine...
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by Jeremy Lopez (Author)JEREMY LOPEZ is Assistant Professor of English at the University of Toronto, Canada. He is the author of Theatrical Convention and Audience Response in Early Modern Drama (Cambridge University Press, 2003), an experienced director and the theatre review editor of the Shakespeare Bulletin.Author BiographyJEREMY LOPEZ is Assistant Professor of English at the University of Toronto, Canada. He is the author of Theatrical Convention and Audience Response in Early Modern Dra...
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by Maurice Charney (Author)In All of Shakespeare, Maurice Charney, former president of the Shakespeare Association of America, provides a play by play, poem by poem guide to all of Shakespeare's works. In succinct and lucid chapters, Charney brings to life every play, from The Comedy of Errors to The Tempest, in addition to the long poems and the Sonnets. The book is divided into sections according to genre: comedies, histories, tragedies, romances, and poems. Charney also considers works tha...
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by William B. Branch (Editor)"H[starred review] Powerful and rich, this outstanding contribution to theater arts is recommended for contemporary literature and black studies collections." --Library JournalEdited by award-winning U.S. playwright William Branch, this is a landmark collection of plays addressing various aspects of the global black experience by outstanding black playwrights from Africa, Europe, the Caribbean, and North and South America. Among the plays are dramas by Nobel laure...
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by Marian Battenhouse (Editor)"An impressive collection of ninety-two abridged essays identifying the Christian elements in Shakespeare's plays . . . a great feast of learning and beauty." --First Things"This is an exceptionally valuable book . . . very highly recommended" --Sixteenth Century Journal" . . . an exemplary work. In an age when footling matters often replace the great religious quandaries about what it means to live and die before God, Shakespeare's Christian Dimension helps rest...
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by Karon Curtis (Author)In this riveting sequel to Mama's Deadly Secret, we follow Payton Watson through the aftermath of his accident and his quest to find the truth about what happened to him.Unable to remember the details that led up to the accident, Payton had more questions than answers and leaned on his family for information. His family refused to talk to him about the accident, and he began to feel helpless. Payton turned to Tiffany, the only person that had been there for him through...
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by Mario Erasmo (Author)Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping...
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by Michael Vickers (Author)Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds. In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact com...
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by Severino J. Albuquerque (Editor)A field-shaping anthology by top cultural critics and practitioners representing a wide range of disciplines and art forms, Performing Brazil is the first book to bring together studies of the many and varied manifestations of Brazilian performance in and beyond their country of origin. Arguing that diverse forms of performance are best understood when presented in tandem, it offers new takes on better-known forms, such as carnival and capoeira, as well as t...
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by Eugene O'Neill (Author)Winner of the 1957 Pulitzer Prize in Drama "The definitive edition."--Boston Globe Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a Foreword by Harold Bloom, in which he writes: "By common consent, Long Day's Journey into Night is Eugene O'Neill's masterpiece. ...
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by Thomas Hischak (Author)As a concise study of the American theatre, this work explores the past and present by looking at major aspects of theatregoing in America over the past 250 years. Diverse topics include plays On and Off Broadway, ticket prices, critics, playwrights, awards, musicals, actors, theatre groups and organizations, and theatre publications. The Almanac is both a reference work and a very personal browsing book. It is lively and highly readable, yet scholarly with commentar...
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by Carol Lucha-Burns (Author) Number of Pages: 598 Dimensions: 1.5 x 9 x 6 IN Publication Date: July 23, 1986
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by Bernard L. Peterson (Author)This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, ...
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by Bruce G. Shapiro (Author)This book is a comprehensive study of Peer Gynt, a drama that forms the foundation of not only the entire Ibsen canon but also modern drama as a whole. It provides scene-by-scene commentary on the drama, showing how the literature and ideas of the drama resemble, and sometimes duplicate, the literature and philosophy of Soren Kierkegaard. It is the first such study since Henri Logeman's commentary on the drama published in 1917. Although the main focus of the book ...
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by Vivian Thomas (Author)The 'infinite variety' of Shakespeare's Roman plays is reflected in the diversity of critical commentary to which they have given rise. Originally published in 1989, the distinguishing feature of this study is that it endeavours to convey a clear idea of the relationship between the characters and events in Shakespeare's plays and the main narrative sources on which the four Roman plays are based, while simultaneously undertaking a critical analysis of the plays throu...
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by Murray J. Levith (Author)'What's in a name? That which we call a rose/By any other name would smell as sweet.' So says Juliet in the balcony scene from Romeo and Juliet but, originally published in 1978, Murray Levith shows just how wrong Juliet was. Shakespeare was extremely careful in his selection of names. Not only the obvious Hotspur or the descriptive Bottom or Snout, but most names in Shakespeare's thirty-seven plays had a more than superficial significance. Beginning with what has ...
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by Vivian Thomas (Author)What is it that makes Shakespeare's problem plays problematic? Many critics have sought for the underlying vision or message of these puzzling and disturbing dramas. Originally published in 1987, the key to Viv Thomas's new synthesis of the plays is the idea of fracture and dissolution in the universe. From the collapse of 'degree' in Troilus and Cressida to the corruption at the heart of innocence in Measure for Measure, to the puzzling status of virtue and valour in...