by Hannah Lewis (Author)
In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding French musical styles and genres shaped cinematic experiments during the transition to sound.
Author Biography
Hannah Lewis, Assistant Professor of Musicology at the University of Texas at Austin, is a historical musicologist who specializes in film music, music and visual media, early twentieth-century French music, and musical theater.
Number of Pages: 262
Dimensions: 0.7 x 9.1 x 6.1 IN
Publication Date: October 03, 2018
