by Josef Müller-Brockmann (Author), Catherine De Smet (Text by (Art/Photo Books)), Lars Müller (Contribution by)
Posters from a pioneering figure in Swiss visual communication
Josef Müller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional criteria-and yet exhibit a variety of design solutions and exciting, dynamic compositions.
Front Jacket
Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria-and yet exhibit a variety of design solutions and exciting, dynamic compositions.
Number of Pages: 96
Dimensions: 0.3 x 9.4 x 6.6 IN
Publication Date: February 27, 2014
