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by Christian Weikop (Other), Anne Reimers (Author)
Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era that surrounded it.
Anne Reimers studied art history, philosophy and Italian in Bonn and Rome and holds a PhD in History of Art from University College London (UCL). She is a Senior Lecturer in Cultural and Historical Studies at London College of Fashion, University of the Arts London (UAL) and at the University for the Creative Arts (UCA). Since 2006, she has written on the global art market for the German newspaper Frankfurter Allgemeine Zeitung.
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